{"id":539,"date":"2019-06-29T15:09:55","date_gmt":"2019-06-29T15:09:55","guid":{"rendered":"https:\/\/220.jcdelama.info\/?page_id=539"},"modified":"2020-01-09T21:03:56","modified_gmt":"2020-01-09T21:03:56","slug":"film-collection-2","status":"publish","type":"page","link":"https:\/\/220.jcdelama.info\/?page_id=539","title":{"rendered":"Film Collection"},"content":{"rendered":"\n<h1>The Dawn of Cinema<\/h1>\n\n\n\n<h2>George  M\u00e9li\u00e8s <\/h2>\n\n\n\n<ul><li>Fantasies (Cinderella, 1899) <\/li><li>Historical reconstructions (Benvenuto Cellini, 1904) <\/li><li>Docudramas (The Dreyfus Affair, 1899) <\/li><li>Science-fiction adventures (A trip to the Moon, 1902) <\/li><\/ul>\n\n\n\n<h2>German Expresionism<\/h2>\n\n\n\n<ul><li>Stellan Rye (The Student of Prague, 1913) <\/li><li>Paul Wegener ( The Golem, 1915) <\/li><li>Robert Wiene (The Cabinet of Dr. Caligari, 1919) <\/li><li>Fritz Lang (Destiny, 1921; Mabuse, The Gambler, 1922)<\/li><li>Friedrich W. Murnau (Nosferatu, a Symphony of Horror, 1922) <\/li><\/ul>\n\n\n\n<h2 id=\"mce_4\">French and Spanish Surrealism<\/h2>\n\n\n\n<ul><li>Ren\u00e9 Clair (The Crazy Ray, 1923; Entre\u2019acte, 1924)<\/li><li>Jacques Feyder (L\u2019Atlantide, 1921) <\/li><li>Jean Cocteau (The Blood of a Poet, 1930) <\/li><li>Jean Vigo (A Propos de Nice) <\/li><li>Luis Bu\u00f1uel (Un chien andalou, 1928; L\u2019Age d\u2019or, 1930) <\/li><\/ul>\n\n\n\n<h2>David W. Griffith<\/h2>\n\n\n\n<ul><li>The Birth of a Nation (1915) <\/li><li>Intolerance (1916)&nbsp; <\/li><li>Broken Blossoms (1919)<\/li><li>Way Down East (1920) <\/li><li>Orphans of the Storm (1921)<\/li><\/ul>\n\n\n\n<h2 id=\"mce_1\">Russian Ideological Realism <\/h2>\n\n\n\n<ul><li>Lev Kuleshow: <ul><li>The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924) <\/li><\/ul><\/li><li>Dziga Vertov: <ul><li>The Man with the Movie Camera (1929) <\/li><\/ul><\/li><li>Vsevolod I. Pudovkin: <ul><li>The Mechanics of Brain (1925) <\/li><li>Mother (1926)<\/li><li>The End of St. Petersburg (1927 <\/li><\/ul><\/li><\/ul>\n\n\n\n<h3 id=\"mce_3\">Sergei M. Eisenstein (1898-1948)<\/h3>\n\n\n\n<ul><li>Do You Hear, Moscow? (1923)<\/li><li>October (1929)<\/li><li>The General Line (1929)<\/li><li>The Battleship Potemkin (1925)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>Orson Welles<\/h2>\n\n\n\n<ul><li>&#8220;Citizen Kane&#8221; (1940)<\/li><li>\u201cThe Magnificent Ambersons\u201d (1942)<\/li><li>\u201cThe Stranger\u201d (1946)<\/li><li>\u201cThe Lady from Shangai\u201d (1948)<\/li><li>\u201cMacbeth\u201d (1949)<\/li><li>\u201cOthello\u201d (1951)<\/li><li>\u201cMr. Arkadin\u201d (1955)<\/li><li>\u201cTouch of Evil\u201d (1958)<\/li><li>\u201cThe Trial\u201d (1962)<\/li><li>\u201cChimes at Midnight\u201d (1965)<\/li><li>\u201cThe Immortal Story (1968)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>Horror Film<\/h2>\n\n\n\n<ul><li>Dracula (Tod Browning, Universal, 1931)<\/li><li>Freaks (Tod Brow ning, MGM, 1932)<\/li><li>King Kong (Merian C. Cooper and Ernest B. Schoedsack, RKO, 1933)<\/li><li>Dr. Jekyll and Mr. Hide (Rouben Mamoulian, Paramount, 1931)<\/li><li>Frankenstein (James Whale, Universal, 1932)<\/li><li>Bride of Frankenstein (James Whale, Universal, 1935)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>Film Noir<\/h2>\n\n\n\n<div class=\"wp-container-3 wp-block-columns has-2-columns\">\n<div class=\"wp-container-1 wp-block-column\">\n<ul><li>Orson Welles<ul><li>The Lady From Shangai  (1948) \/ The Third Man (1949) \/ Touch Of Evil (1958)<\/li><\/ul><\/li><li>John Huston<ul><li>The Maltese Falcon (1941) The Asphalt Jungle (1950), Key Largo (1948)<\/li><\/ul><\/li><li>Billy Wilder<ul><li>Double Indemnity (1944) \/ Sunset Boulevard (1950)<\/li><\/ul><\/li><li> Robert Siodmak<ul><li>The Killers (1946) \/ Phantom lady (1946) \/ Cry of the City (1948)<\/li><\/ul><\/li><li>Fritz Lang<ul><li> Scarlet Street (1945) \/ The Woman in the Window (1944)<\/li><\/ul><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-container-2 wp-block-column\">\n<ul><li>Otto Preminger<ul><li>Laura (1944) \/ Angel Face (1953)<\/li><\/ul><\/li><li>Howard Hawks<ul><li>To Have And Not To Have (1944) \/ The Big Sleep (1946)<\/li><\/ul><\/li><li>Jacques Tourneur <ul><li>Out Of Past (1947)<\/li><\/ul><\/li><li>Raul Walsh<ul><li>High Sierra (1941) <\/li><\/ul><\/li><\/ul>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h1>Comedy<\/h1>\n\n\n\n<h2>Charles Chaplin<\/h2>\n\n\n\n<ul><li>\u201cThe Pawnshop\u201d (1916)<\/li><li>\u201cEasy Street\u201d (1917)<\/li><li>\u201cThe Immigrant\u201d (1917)<\/li><li>\u201cThe Cure\u201d (1917)<\/li><li>\u201cThe Kid\u201d (1921) <\/li><li>\u201cA Women of Paris\u201d (1923)<\/li><li>\u201cThe Gold Rush\u201d (1925)\u201c<\/li><li>City Lights\u201d (1931)\u201c<\/li><li>Modern Times\u201d (1936)<\/li><\/ul>\n\n\n\n<h2>Buster Keaton<\/h2>\n\n\n\n<ul><li>\u201cThe Three Ages\u201d (1923)<\/li><li>\u201cSherlock Jr.\u201d (1924)<\/li><li>\u201cThe Navigator\u201d (1925)<\/li><li>\u201cSeven Chances\u201d (1925)<\/li><li>&#8220;The General\u201d (1926)<\/li><li>\u201cThe Cameraman\u201d (1928)<\/li><\/ul>\n\n\n\n<h2>The Marx Brothers<\/h2>\n\n\n\n<ul><li>Animal Crackers (1930)<\/li><li>Horse Feathers (1932)<\/li><li>Duck Soup (1933)<\/li><li> \u201cA Night at the Opera\u201d (1935)<\/li><li>\u201cA Day at the Races\u201d (1937)<\/li><\/ul>\n\n\n\n<h2>Frank Capra<\/h2>\n\n\n\n<ul><li>&#8220;Platinum Blonde\u201d (1931)<\/li><li>\u201cIt Happened One Night\u201d (1934)<\/li><li>\u201cArsenic and Old Lace\u201d (1944)<\/li><li>\u201cMr. Deeds goes to Town\u201d (1936)<\/li><li>\u201cMr. Smith goes to Washington\u201d (1939)<\/li><li>\u201cMeet John Doe\u201d (1941)<\/li><li>\u201cIt\u2019s a Wonderful Life\u201d (1946)<\/li><\/ul>\n\n\n\n<h2 id=\"mce_2\">Howard Hawks<\/h2>\n\n\n\n<ul><li>\u201cBringing Up Baby\u201d (1938)<\/li><li>&#8220;His Girl Friday\u201d (1940) <\/li><li>\u201cBall of Fire\u201d (1941)<\/li><li>\u201cI Was a War Bride\u201d (1949)<\/li><li>\u201cMonkey Business\u201d (1952) <\/li><li>\u201cGentlemen Prefer Blondes\u201d (1953)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h1>The Western<\/h1>\n\n\n\n<p>John Ford&#8217;s Films:<\/p>\n\n\n\n<ul><li>Stagecoach (United Artist, 1939)<\/li><li>The Searchers (Warner Brothers, 1956)<\/li><li>The Man Who Shot Liberty Valance  (Paramount, 1962)<\/li><li>Other Master Pieces:<\/li><li>Red River, directed by Howard Hawks (United Artist, 1948)<\/li><li>The Good, the Bad and the Ugly, directed by Sergio Leone (Alberto Grimaldi, 1966)<\/li><li>The Wild Bunch, directed by Sam Peckinpah (Warner Brothers, 1969)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"<p>The Dawn of Cinema George M\u00e9li\u00e8s Fantasies (Cinderella, 1899) Historical reconstructions (Benvenuto Cellini, 1904) Docudramas (The Dreyfus Affair, 1899) Science-fiction adventures (A trip to the Moon, 1902) German Expresionism Stellan Rye (The Student of Prague, 1913) Paul Wegener ( The Golem, 1915) Robert Wiene (The Cabinet of Dr. Caligari, 1919) Fritz Lang (Destiny, 1921; Mabuse, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":""},"featured_image_src":null,"featured_image_src_square":null,"_links":{"self":[{"href":"https:\/\/220.jcdelama.info\/index.php?rest_route=\/wp\/v2\/pages\/539"}],"collection":[{"href":"https:\/\/220.jcdelama.info\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/220.jcdelama.info\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/220.jcdelama.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/220.jcdelama.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=539"}],"version-history":[{"count":2,"href":"https:\/\/220.jcdelama.info\/index.php?rest_route=\/wp\/v2\/pages\/539\/revisions"}],"predecessor-version":[{"id":707,"href":"https:\/\/220.jcdelama.info\/index.php?rest_route=\/wp\/v2\/pages\/539\/revisions\/707"}],"wp:attachment":[{"href":"https:\/\/220.jcdelama.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}